A grown-up brother and sister's visit to their parents home culminates in a shocking tragedy. The events of the weekend are told over four episodes, each focusing on the point of view of one family member: the daughter Terry; the father, Ted; the son, Alan and finally the mother, Sarah. The full story of the dysfunctional family plays out through the use of repeating scenes, flashback, and monologue.

In this Hallmark story, Allan is a normal middleaged man with a wife and two kids. When Alan is suddenly attacked one night, he loses his memory, leading his family to believe that he is dead.

In this Hallmark story, Allan is a normal middleaged man with a wife and two kids. When Alan is suddenly attacked one night, he loses his memory, leading his family to believe that he is dead.

A woman develops severe amnesia after a blow to the head, and can no longer remember her family.

'A JOURNEY TO SUNDANCE' is about the spirit, dreams and struggles of independent filmmakers from all over the world, as well as my own struggles to finish this enormous undertaking.

A poor and ordinary boy from a village joins a minor sect in Jiang Hu and becomes an Unofficial Disciple by chance. How will Han Li, a commoner by birth, establish a foothold for himself in his sect? With his mediocre aptitude, he must successfully traverse the treacherous path of cultivation and avoid the notice of those who may do him harm. This is a story of an ordinary mortal who, against all odds, clashes with devilish demons and ancient celestials in order to find his own path towards immortality.

An iron-willed Georgia boy accepts the burden of a man on his young shoulders. Fifteen-year-old Terry O'Kelly is fatherless and his remaining parent, his mother, is dying. Anguished, the soon-to-be orphan makes a surprising grown-up decision: Terry promises to care for his six brothers and vows to keep the family together. Steadfast to his word, Terry takes on the struggles of parenthood, which yields some difficult and unpleasant surprises.

Jan Wiener is a young Czech Jew struggling to survive at the outset of Nazi occupation during World War II.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Nine years after little Marina went missing along a highway near Dunkerque, a young woman with amnesia who looks just like her reappears in practically the same spot.